(E2, 1.6-11) If references to "The Passionate Shepherd" and Hero and Leander identify Gaveston with the author, the fantasy of the king cross-dressed as a girl, like the "nun" (44) for whom Leander swam the Hellespont, constitutes an unprecedented sexual coming-out for Marlowe, in winch the Shepherd's ambiguous Love and androgynous Hero are both discovered to have been "
buskined" players all along (31): boys disguised in "artificial flowers and leaves, / Whose workmanship both man and beast deceives" (19-20).
In his Epigrams John Weever recalls when Marston, the writer of verse satire, and "
buskined' Jonson, still best known for his tragedies, were friends.