doo-wop


Also found in: Thesaurus, Wikipedia.

doo-wop

or doo·wop  (do͞o′wŏp′)
n.
A style of rhythm and blues popularized in the 1950s and characterized by words and nonsense syllables sung in harmony by small groups supporting the melody of the song.

[Imitative of the vocals in such music.]

doo′-wop′ adj.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

doo-wop

(ˈduːˌwɒp)
n
(Music, other) rhythm-and-blues harmony vocalizing developed by unaccompanied street-corner groups in the US in the 1950s
[C20: of imitative origin]
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

doo-wop

(ˈduˌwɒp)

n.
a style of popular music for a singing group in which words and nonsense syllables are rhythmically chanted as support for a soloist.
[representing the chanted syllables]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.

doo-wop

A form of R&B and rock music popular in the 1950s and performed by groups of harmonized singers usually unaccompanied by instruments.
Dictionary of Unfamiliar Words by Diagram Group Copyright © 2008 by Diagram Visual Information Limited
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.doo-wop - a genre (usually a cappella) of Black vocal-harmony music of the 1950s that evolved in New York City from gospel singing; characterized by close four-part harmonies; the name derived from some of the nonsense syllables sung by the backup
gospel singing, gospel - folk music consisting of a genre of a cappella music originating with Black slaves in the United States and featuring call and response; influential on the development of other genres of popular music (especially soul)
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
References in periodicals archive ?
Fans of classic doo-wop, R&B and soul won't want to miss seeing The Drifters, The Platters and Cornell Gunter's Coasters all on the same concert bill at 7:30 p.m.
Bubblegum pop and doo-wop are two of my guilty pleasures--they never cease to put a smile on my face.
The doo-wop act have had four albums in the UK top 10 after their debut Good Ol' Fashioned Love which peaked at No4.
Founded by arranger-pianist Scott Bradlee, PMJ weaves its magic by taking a pop song and making it sound like a period classic by reworking its structure and swathing it with the sounds of such musical genres as swing, jazz, doo-wop and ragtime.
That night's concert will be by The Overtones, a vocal harmony group who will perform soul and doo-wop 50's and 60's hits.
This encyclopedia contains alphabetical entries on well-known and unknown jazz and blues musicians who were born in South Carolina or lived there for at least five years from the 19th century to the present, including rhythm and blues, doo-wop, and soul musicians, as well as those involved in precursors like brass and string bands, medicine and minstrel shows, and vaudeville.
Known for their rich sounds, Timmy Matley, Darren Everest, Mike Crawshaw, Mark Franks and Lachie Chapman have lent their doo-wop sounds to the season made for easy listening.
Cast the atmospheric style of broadcast radio, Rocksteady has mock DJs and pretend "channel surfing" transitions between its songs, which range from reggae and ska to doo-wop harmonies, hip-hop, and guitar solo.
He quickly found his voice and mission in writing what he calls "classic music": seductive love tunes infused with gospel and doo-wop. Last fall, a gritty demo went viral on SoundCloud, prompting an old-school bidding war among major labels (which Columbia ultimately won) and bookings at SXSW, where Bridges took home the prestigious Gruike Prize for the Best Developing U.S.
Other songs register a firm doo-wop influence and at times he's ploughing a similar furrow to Bruno Mars; the difference is that when Mika does emotive balladry, on the outstanding Last Party, Ordinary Man and Hurts, there's a very real feeling that he's singing from the heart.
King est ne en Caroline du Nord (sud-est) puis a tres vite demenage a New York, ville ou il a integre un groupe de doo-wop appele The Four B's.