Richard III


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Richard III

1452-1485.
King of England (1483-1485) who claimed the throne after imprisoning the sons of his deceased brother Edward IV. Richard's death at the Battle of Bosworth Field brought an end to the Wars of the Roses.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

Richard III

n
(Biography) 1452–85, king of England (1483–85), notorious as the suspected murderer of his two young nephews in the Tower of London. He proved an able administrator until his brief reign was ended by his death at the hands of Henry Tudor (later Henry VII) at the battle of Bosworth Field
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.Richard III - King of England from 1483 to 1485Richard III - King of England from 1483 to 1485; seized the throne from his nephew Edward V who was confined to the Tower of London and murdered; his reign ended when he was defeated by Henry Tudor (later Henry VII) at the battle of Bosworth Field (1452-1485)
House of York, York - the English royal house (a branch of the Plantagenet line) that reigned from 1461 to 1485; its emblem was a white rose
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
References in classic literature ?
In this way I became familiar with Shakespeare before I read him, or at least such plays of his as were most given in those days, and I saw "Macbeth" and "Hamlet," and above all "Richard III.," again and again.
"The first good town we come to we'll hire a hall and do the sword fight in Richard III. and the balcony scene in Romeo and Juliet.
He got out two or three curtain-calico suits, which he said was meedyevil armor for Richard III. and t'other chap, and a long white cotton nightshirt and a ruffled nightcap to match.
They are generally Richard III. whales, with dromedary humps, and very savage; breakfasting on three or four sailor tarts, that is whaleboats full of mariners: their deformities floundering in seas of blood and blue paint.
No doubt, if a King Richard III were worsted on a modern battlefield, his instinctive cry would be, "My Kingdom for a telephone!"
"I really believe," said he, "I could be fool enough at this moment to undertake any character that ever was written, from Shylock or Richard III down to the singing hero of a farce in his scarlet coat and cocked hat.
Thus Richard III., for instance, was marvellously served by his conscience after the putting away of the two children of Edward IV.; in fact, he could say, `These two children of a cruel and persecuting king, who have inherited the vices of their father, which I alone could perceive in their juvenile propensities -- these two children are impediments in my way of promoting the happiness of the English people, whose unhappiness they (the children) would infallibly have caused.' Thus was Lady Macbeth served by her conscience, when she sought to give her son, and not her husband
Following a magical opening night, the LADS theatre group is taking its production of Richard III on tour.
Deserved recognition for stage show CO-WRITERS Kaite O'Reilly and Phillip Zarrilli's radical, irreverent re-imagining of Shakespeare's Richard III, written for a disabled actress and from a disability perspective, has been shortlisted for the prestigious 2019 James Tait Black Memorial Prize for Drama.
Synopsis: King Richard III (2 October 1452--22 August 1485) remains one of the most infamous and recognizable monarchs in English or British history, despite only sitting on the throne for two years and fifty-eight days.
But now historian and author Matt Lewis is out to right the wrong done to Richard III, who was killed on the field of battle at Bosworth and buried under a car park.
The story of the unsightly, evil and uncannily seductive King Richard III is a study on power, violence and beauty, unfolding within the dark setting of Medieval England to expose the strongest primal instincts of human nature.