Carlyle


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Car·lyle

 (kär-līl′, kär′līl), Thomas 1795-1881.
British historian and essayist whose works, such as The French Revolution (1837), are characterized by his trenchant social and political criticism and his complex literary style.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

Carlyle

(kɑːˈlaɪl)
n
1. (Biography) Robert. born 1961, Scottish actor; his work includes the television series Cracker and Hamish Macbeth and the films Trainspotting (1996), The Full Monty (1997), The Beach (2000), and 28 Weeks Later (2007)
2. (Biography) Thomas. 1795–1881, Scottish essayist and historian. His works include Sartor Resartus (1833–34),The French Revolution (1837), lectures On Heroes, Hero-Worship, and the Heroic in History (1841), and the History of Frederick the Great (1858–65)
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

Car•lyle

(kɑrˈlaɪl)

n.
Thomas, 1795–1881, Scottish essayist and historian.
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.Carlyle - Scottish historian who wrote about the French Revolution (1795-1881)Carlyle - Scottish historian who wrote about the French Revolution (1795-1881)
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References in classic literature ?
Oliphant, her favourites (and mine) among women novelists, or if it be a Carlyle, and we move softly, she will read, entranced, for hours.
One lady lent her some scores of Carlyle letters that have never been published, and crabbed was the writing, but though my mother liked to have our letters read aloud to her, she read every one of these herself, and would quote from them in her talk.
Elizabethan prose, all too chaotic in the beauty and force which overflowed into it from Elizabethan poetry, and incorrect with an incorrectness which leaves it scarcely legitimate prose at all: then, in reaction against that, the correctness of Dryden, and his followers through the eighteenth century, determining the standard of a prose in the proper sense, not inferior to the prose of the Augustan age in Latin, or of the "great age in France": and, again in reaction against this, the wild mixture of poetry and prose, in our wild nineteenth century, under the influence of such writers as Dickens and Carlyle: such are the three periods into which the story of our prose literature divides itself.
The followers of Chaucer, and the precursors of Shakespeare, are alike real persons to him--old Langland reminding him of Carlyle's "Gospel of Labour." The product of a large store of reading has been here secreted anew for the reader who desires to see, in bird's-eye view, the light and shade of a long and varied period of poetic literature, by way of preparation for Shakespeare, [9] (with a full essay upon whom the volume closes,) explaining Shakespeare, so far as he can be explained by literary antecedents.
"The Sunday before, young Sandy MacNair had been in Carlyle church.
I tried other essayists, other critics, whom the machinist had in his library, but it was useless; neither Sidney Smith nor Thomas Carlyle could console me; I sighed for more Macaulay and evermore Macaulay.
From their original inch or so of private handwriting they have spread and spread out across the world, and now whole generations of men find intellectual accommodation within them,--drinking fountains and other public institutions are erected upon them; yea, Carlyle has become a Chelsea swimming-bath, and "Highland Mary" is sold for whiskey, while Mr.
Browning, 1806- Charlotte Bronte, Carlyle, 1795-1881.
Carlyle, and as I knew he could not do it, I would not believe that it could be done by Toby Dammit.
They arrived because they were Carlyle's battle-scarred giants who will not be kept down.
You open a book and try to read, but you find Shakespeare trite and commonplace, Dickens is dull and prosy, Thackeray a bore, and Carlyle too sentimental.
Most of her hearers knew little of Carlyle or Emerson, or they might have remembered that the one said, "We are all poets when we read a poem well," and the other, "'T is the good reader makes the good book."